Ed
Hooks' Monthly Newsletter
January
2000 |
Until
next month...Be Safe!
|
ED'S
TEACHING TRIP TO GERMANY WAS A HIT! An animated "Thank
you!" to Uli Weinberg at HFF Hochschule fuer Film und Fernsehen,
Germany's oldest and largest film school, and to Thilo Rex and
Brad Blackburn at Stardust Entertainment in Potsdam, and to
Sven Pannicke and Professor Thomas Haegele at Filmakademie Baden
- Worttemberg. These people worked in concert with one another
to organize and support my Acting for Animators classes in Germany
last month, and I'm very grateful. I also send thanks to the
talented animators who attended my classes. I had a great time
and hope to see all of you again soon!
I found time for a bit of sight-seeing in Berlin, too, and
was moved by my visit to the Checkpoint Charlie Museum, with
its fascinating -- and inspiring -- collection of bullet-riddled
flying machines and earthbound driving contraptions built
by courageous East Berliners who used them to escape over
(or through, or under....) the Wall to West Berlin. It is
impossible to emerge from that exhibit without a sharpened
understanding of what personal freedom is worth, I wish everyone
who reads this Newsletter will have the opportunity to see
it at some point.
CRAFT NOTES
"New
Beginnings"
I enjoyed a beautiful snow fall in Stuttgart last month, and
it reminded me of how much I miss living in a city that has
seasons, not only for the roller coaster temperature changes
but for the natural cycles that seasons impose on ones life
and work. The world is functioning on Internet time now, which
only gets faster and faster and has no natural interludes.
Boot-up, log-on, sign-off and shut-down are not substitutes
for summer, fall, winter and spring.
It is worth noting ("The Origin of the Theater" (1955) by
Benjamin Hunningher) that theatre likely had its ancient origins
in dance-ritual celebration of Spring's victory over Winter.
Spring came to represent life, abundance; Winter came to represent
death. "...the idea of a definite seasonal change retires
to the background and winter-in-general gradually opposes
summer-in-general, death opposes life ... From this concept
arose the performance of the year-king or year-priest, known
over the whole world, who overcomes death to bring life. With
the approach of winter the year-king himself turns into the
daemon of death and must perish in a duel with the champion
or king of the next year for life to spring forth anew." (Hunningher,
pp17-18)
Regardless of the art form -- drama, music, animation, painting,
dance, poetry -- the mandate of an artist is to help the audience
find meaning in simple existence. Our task is still similar
to that of the Shaman. Whether we're talking about the comic
strip "Peanuts" or Massacio's frescoes in Florence or another
revival of "Our Town", it is all about life and the values
we humans share in common. A snow fall reminds us that we
all are subject to seasons, and that Spring will always follow
Winter. Hope is eternal.
Even if we can't literally see the snow in San Francisco or
Los Angeles, I wish for all of us a snow-scape seasonal moment
of quiet; and, if it is not too maudlin, a cyber-holding of
hands. It has finally become that new millennium we have been
hearing so much about. Let us go out into the world now and
do something about it.
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