Ed
Hooks' Monthly Newsletter
January
2001 |
Until
next month...Be Safe!
|
HAPPY
NEW YEAR!
We
survived and surpassed Orwell's "1984", and now
we pause to consider Stanley Kubrick's "2001". The
closing words of Roger Ebert's original Chicago Sun-Times
review of the movie seem particularly relevant in this new
Presidential year. "'2001: A Space Odyssey' is not about
a goal but about a quest, a need. It ...says to us: We became
men when we learned to think. Our minds have given us the
tools to understand where we live and who we are. Now it is
time to move on to the next step, to know that we live not
on a planet but among the stars, and that we are not flesh
but intelligence."
MIRAMAX
WEB SITE A BEAUTY!
Boy, do I love this web site, designed to promote current
films for Miramax. ("Malena", "All the Pretty
Little Horses", "Chocolat"...) Probably it
works best if you have a DSL line but, even if you don't,
check out this site. It is elegant and captivating, and it
will for sure make you want to act in movies. http://www.miramax2000.com/home.html.
SPEAKING
OF MOVIES
... I have seen two of those Miramax movies, "Malena"
and "Chocolat" and can recommend them. The plot
line of "Chocolat" has a couple of hiccups that
will keep it from becoming a classic, but any movie with Juliette
Binoche (my personal favorite film actress) and Judi Dench
in it is a must-see for serious actors. The two of them are
mesmerizing in their scenes together. The craft on display
will dazzle you and cause you to nod your head in wonder.
When "Chocolat" is ultimately released on DVD, I
will buy it to show to my film classes as an example of excellent
film technique in acting. In fact, the acting in this film
is terrific throughout, including moving performances from
Lena Olin and Johnny Depp. Alfred Molina, who plays the villain,
has perhaps the most difficult acting task because his character
arc is one of the hiccups. He rises above that and evokes
plenty of empathy from the audience.
"Malena"
is directed by Giuseppe Tornatore ("Cinema Paradiso")
and is set in a small town in Sicily during and after WWII.
It's gritty, funny, often disturbing, and truthful in its
depiction of male pubescent fantasy. It's not for children.
Many Italians will not like the self-portrait, but Tornatore's
vision resonates. Somehow, you just know he is getting it
right. During the war, many people did things that were later
a source of shame. I've said enough. Go see the movie.
One more....
this one a Sony Pictures Classic. "Crouching Tiger, Hidden
Dragon", directed by Ang Lee, is another winner. I'm
not myself deeply into Eastern philosophy, and I'm even less
into martial arts, but this movie works on a mythic and romantic
level. The acting is top notch, the camera work is likely
to win an Academy Award, the locations are from picture books
and the final scene is breath taking. The gravity-defying
fight scenes are actually pretty, with warriors running up
the walls, across roofs and into tree tops.
ARE
YOU AN ANIMATOR? I have a new web site for you.
Check it out at http://www.ActingForAnimators.com. Upcoming
Craft Notes are about Disney's new movie, "The Emporer's
New Groove".
TEEN
ACTING CLASSES IN PALO ALTO...
Meredith Hagedorn (F/TV - '00) teaches acting classes for
teens. For info, contact her at meresie@hotmail.com.
Film Demo WorkshopES COMING UP!
We shoot
scenes on digital video in the Film Demo Workshop. They
are edited (actors in the class get hands-on with editing),
titled and transferred to VHS for a demo reel at the end of
eight weeks. This is a very ambitious agenda, and enrollment
is limited to ten actors. With each class so far, actors have
been turned away because they waited too long to enroll. If
you want to participate in the classes beginning Feb. 13th
(Tuesday) and Feb. 14th (Wednesday), let me know soon. Contact
me at: edhooks@best.com.
UPCOMING
CLASSES
Commercials
workshop --January 27-28
Acting
for Animators --January 20th (Saturday), 10am-5pm
Scene
Study SF -- Monday nights, 7-10:30
Scene
Study Palo Alto - Thursday nights, 6:30-10pm
Film Demo Workshop --New classes begin Feb. 13th (Tuesday nights)
and Feb. 14th (Wednesday nights)
HOOKS ACTORS WORKING
JEAN
MAZZEI recorded v/o's for Webex.com (commercial), a new Konami
CD-ROM game and Heald College CD-ROM campus tour. She also
recorded some radio spots for Heald and is on-camera in commercials
for Nexium, Breathe Right Nasal Strips. Jean also has the
lead in a 16mm short (title in progress) and has signed with
Tonry Talent for representation. NEIL HOWARD (comm'l, '99)
will be appearing in "Wit" at the San Jose Stage
Company. He also landed an industrial VO for Netscape and
wrote and performed a national radio spot for the 2000 Cowboy
Poetry Gathering in Elko, Nevada. DEEANN WEIR (f/tv and comml
- '98) is heading up a new theatre company in New York called
The Queen's Company. They do all-female productions of classical
plays. Their first production, "Macbeth", was very
successful and they are currently prepping for "The Rover",
to open in March. After that, "The Duchess of Malfi"
or "Edward II". For more info, contact Deeann at
deeannwr@mindspring.com. I'm a big fan of all-female Shakespeare
and send a rousing, "Yeah!" to Deeann and her company.
CRAFT
NOTES
"Planning an Acting Career"
Becoming
a professional actor is like getting called to the priesthood.
It isn't something you work out with your college counselor
or career mentor, although once the decision is made, there
are steps you can take to properly prepare yourself. As is
the case with all arts, acting is an irrational thing to be
doing for a living. The odds against financial success --
no, even financial survival -- are overwhelming. Eighty-five
percent of the members of Screen Actors Guild earn less than
$5,000 per year from acting, and half the people who come
into acting get right back out within three years because
they can't make any money doing it.
So what?
None of this matters a whit to a person who knows in his or
her bones that he simply must act. Failure is neither an option
nor a consideration to the person who must act. If you can
be dissuaded from pursing a career as an actor because there
is a good chance of failure, you will do yourself a big favor
by never starting in the first place. Do something else, something
more stable and dependable with your life, and stretch your
acting-muscle in non-paying community theater. Become a banker,
an Internet genius, a doctor or lawyer, but leave professional
acting to those who can only move in one-direction, toward
the follow-spot.
Every
few weeks, I am sought out by an acting student or, sometime,
by a total stranger, and asked to help him make a rational
decision about acting. The sessions typically include these
topics:
(1) "How
about if I work hard and save up a lot of money and start
acting five years from now?" ANSWER: If you have the
ability to work hard and make money, and if you can live without
acting, then you fortunately can forget about an acting career.
Go make the money. In other words, if there is any way you
can live without acting, then do it.
(2) "I
don't want to move from San Francisco (...Toronto, Austin,
Atlanta, Detroit, fill in the blank...) to Hollywood, so I'm
trying to figure out a way to live here and work there. How
about if I send out pictures to Hollywood agents and then
go there for a few days for interviews? How about if I go
to Hollywood just for pilot season?" ANSWER: Hollywood
agents are not going to represent anybody who does not live
in Hollywood unless he is a certifiable, bankable star. Paul
Newman can live in Connecticut, but you can't. There are over
70, 000 union member actors in LA, and the talent agents have
plenty of local talent to choose from. They do not need to
invest in long distance calls to get you to an audition. If
you want to work in LA, move to LA.
(3) "I'm
giving it a three year (one year, five year...) window for
success. If I don't make it within that period, I'm quitting."
ANSWER: You will fail. Don't even begin. Do something else
with your life, be a happy person. There is no shame in being
a recreational actor. Do community and church theater. Stay
a country mile away from Hollywood. Suppose Picasso had thought
that way? "I'll paint five hundred pictures and, if none
of them sell, I'm giving it up for encyclopedia sales."
Or Van Gogh, who died a pauper? Art does not hold up to the
litmus test of rationality and banker-like planning.
(4) "Be
honest, do you think I have what it takes to succeed as an
actor?" ANSWER: I may think you are very talented, but
if you don't know it yourself, then my opinion does not matter.
I have known a lot of people who are more talented than me,
and they were not able to get off first base with an acting
career. If your self-assessment is dependent upon verification
from me or anybody else, you probably should not be pursuing
a professional acting career. If I told you that I do not
think you have the stuff to succeed, the answer of a true
actor would be, "Hrumph....shows what you know, Ed."
(5) "I
want to be a film actor. I'm not interested in stage at all."
ANSWER: The decision you have to make is whether or not to
be an actor in the first place, whether to pursue it as a
profession; the medium in which you do it is another matter
entirely. If you are only interested in film acting, there
is a good chance your motivation to act is not based on communication
with an audience, but on self esteem-buidling. ("If I
am in the movies, I really must matter in the world. Screens
don't lie. Movie stars have more fun.") If you feel like
you want to communicate with an audience by exposing characters
through yourself, then you probably are an actor. If you are
an actor, you will get your opportunities to act in movies.
(6) "My
boyfriend (husband, lover, parent, significant other) says
he'll (she'll) be supportive if I try this. So what should
my first step be?" ANSWER: Suppose your partner had said
he/she would not support you? Would you consider not pursuing
acting? If the answer to this is "yes", then you
probably should not be pursuing an acting career. Real, honest-to-God
actors are single-minded. They wear blinders and have tunnel
vision. The good wishes of your partner/parent/lover may be
nice, but it should not matter. True actors cannot be dissuaded,
discouraged or otherwise diverted from what they know they
must do. Good wishes and family support are just so much gravy.
The truth
is that the odds against acting success are so daunting that
only the most obsessed and determined person should even try
it. You come into acting because you must, because you cannot
imagine going through your life without doing it. You do not
want to turn seventy years old, look back and say, "Well,
I coulda....".
It is
also true that the world needs actors (shamans) more now than
ever. Everything is moving too fast in the 21st century, there
is too much gigabyte information being tossed at us, and the
human tribe needs the help of those who can put it all into
perspective. Science and math tell us how to do things; the
arts tell us why we should.
Return
to Top
|